WRITINGS

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Thinking Through Music: Stan Douglas' Luanda-Kinshasa
from THE INFINITE MIX (Hayward Gallery exhibition catalogue)
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After The Last River: Interview with Victoria Lean
from THE RUSTY TOQUE #10

Live in Black & White: Stan Douglas' Helen Lawrence
from CINEMA SCOPE #65

Excuse me!?!...I’m looking for the “Fountain of Youth”
Michael Smith at Greene Naftali
from MOMUS

History Lesson: An Interview with Mike Watt
from THE RUSTY TOQUE #8

Stanley Kubrick: The Exhibition at TIFF
from CANADIAN ART

Barefoot: Interview with Danis Goulet
from THE RUSTY TOQUE #7

Mark Lewis at Daniel Faria Gallery
from CANADIAN ART

Marcel Dzama Does the Dance at David Zwirner
from CANADIAN ART

Mr. Edison's Ear: Interview with Franci Duran
from THE RUSTY TOQUE #6

Both Sides Now: Michael Snow at the Philadelphia Museum of Art
from CANADIAN ART

Objects & Images: Erin Shirreff & the Grey Areas of Representation
from CANADIAN ART

Artists’ Walks: The Persistence of Peripateticism
from C MAGAZINE

Stan Douglas's Luanda-Kinshasa at David Zwirner
from CANADIAN ART

Ithaka & Pirandello: Two Films by Bojan Bodružić 
from THE RUSTY TOQUE #5

Rodney Graham at 303 Gallery
from CANADIAN ART

Alan Berliner's First Cousin, Once Removed
from UNIONDOCS

Niall McClelland's Bruce to Brock and Back at Envoy Enterprises
from CANADIAN ART

Thomas Bernhard's Prose
from THE RUSTY TOQUE #4

Interview with Antoine Bourges on East Hastings Pharmacy
 from CINEMA SCOPE 

The End Goes On (and On): Bela Tarr's The Turin Horse
 from MACHETE #19

Interview with Michael Vass
 from THE RUSTY TOQUE

Surviving Life (Theory and Practice): Swimming Lessons with Dr. Svankmajer
  from MACHETE #18 

Dead Roots: Terrence Malick's The Tree of Life
  from MACHETE #17 

The Time That Remains: Elia Suleiman's Policy of Ambiguity
  from MACHETE #16

Dollar-Book Void: Gaspar Noé's Enter the Void
  from MACHETE #14 

Harmony Korine Rubs Up Against the American Nightmare in Trash Humpers
  from MACHETE #11

In Praise of Vain Gestures: Roberto Bolaño's Antwerp
  from MACHETE #10

Noir After God: The Bad Lieutenant: Port of Call New Orleans
  from MACHETE #8